| LDR | | 00000cam u2200205 a 4500 |
| 001 | | 000014066780 |
| 005 | | 20240507140956 |
| 006 | | m d |
| 007 | | cr cnu---unuuu |
| 008 | | 200914s2021 nyua ob 001 0 eng |
| 020 | |
▼a 9780197552278
▼q electronic book |
| 020 | |
▼a 0197552277
▼q electronic book |
| 020 | |
▼a 9780197552285
▼q electronic book |
| 020 | |
▼a 0197552285
▼q electronic book |
| 020 | |
▼a 9780197564516
▼q electronic book |
| 020 | |
▼a 0197564518
▼q electronic book |
| 020 | |
▼z 9780190884178
▼q hardcover |
| 020 | |
▼z 9780190884185
▼q paperback |
| 035 | |
▼a 3045065
▼b (N$T) |
| 035 | |
▼a (OCoLC)1196820339 |
| 040 | |
▼a DLC
▼b eng
▼c DLC
▼d OCLCF
▼d OCLCO
▼d YDX
▼d OCLCQ
▼d DLC
▼d EBLCP
▼d N$T
▼d OCLCO
▼d YDX
▼d 224010
▼e rda |
| 042 | |
▼a pcc |
| 043 | |
▼a e-fr--- |
| 049 | |
▼a MAIN |
| 050 | 4 |
▼a ML2827
▼b .L3913 2021 |
| 082 | 04 |
▼a 782.421680944
▼2 22 |
| 090 | |
▼a 782.421680944 |
| 100 | 1 |
▼a Le Roux, François,
▼e author. |
| 240 | 10 |
▼a Chant intime.
▼l English |
| 245 | 10 |
▼a Le chant intime:
▼h [electronic resource]:
▼b the interpretation of French mélodie /
▼c François Le Roux, Romain Raynaldy ; english translation by Sylvia Kahan. |
| 260 | |
▼a New York, NY:
▼b Oxford University Press,
▼c [2021] |
| 300 | |
▼a 1 online resource (x, 283 pages) :
▼b illustrations |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 504 | |
▼a Includes bibliographical references and index. |
| 520 | |
▼a "Le Chant intime is the very first book, since Pierre Bernac's landmark work in 1978, to deal specifically with the topic of the interpretation of French mélodie, written by a singer. It offers an essay about the general approach to be taken when preparing a French song, and analyses of a selection of 60 selected mélodies (none of which appear in Bernac's book), from Berlioz to contemorary composers like Hersant and Lancino. More than rules, Le Chant intime tries to give paths to be taken; more than answers, questions to be addressed. The lesson of Debussy's Pelléas et Mélisande has served as a guiding principle: a song should be the junction of two dreams - the composer's and the poet's - not an explanation or an elicitation. Or, as Poulenc put it so wittily: a song should always be "a love affair, not an arranged marriage.""--
▼c Provided by publisher |
| 650 | 0 |
▼a Songs, French
▼z France
▼x History and criticism. |
| 650 | 0 |
▼a Songs, French
▼x Interpretation (Phrasing, dynamics, etc.) |
| 650 | 6 |
▼a Chansons françaises
▼z France
▼x Histoire et critique. |
| 650 | 6 |
▼a Chansons françaises
▼x Interprétation. |
| 650 | 7 |
▼a Songs, French
▼2 fast
▼0 (OCoLC)fst01126336 |
| 651 | 7 |
▼a France
▼0 (OCoLC)fst01204289
▼2 fast |
| 655 | 0 |
▼a Electronic books. |
| 655 | 4 |
▼a Electronic books. |
| 655 | 7 |
▼a Criticism, interpretation, etc.
▼2 fast
▼0 (OCoLC)fst01411635 |
| 700 | 1 |
▼a Raynaldy, Romain,
▼e author. |
| 700 | 1 |
▼a Kahan, Sylvia,
▼e translator. |
| 856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3045065 |